Irish painter-etchers looked abroad for their inspiration, direction and markets from the 1880s, writes Angela Griffith and Anne Hodge
It would be a mistake to assume that Gwen O’Dowd’s seascapes are simply about the delights of nature, writes Yvonne Scott
Michael Craig’s miniature worlds continue a traditional Irish art form dating back to illuminated Christian manuscripts, writes James Howley
Rosemarie Devereux appraises the visual content of A Celtic Christmas, a supplement to AE’s The Irish Homestead
